Talking to people who were gathering for a Bernie Sanders rally reminds me of the 2004 Dennis Kucinich presidential campaign.
The night before Super Tuesday, I went to the Saint Paul RiverCentre where I talked to people who were gathering for a Bernie Sanders rally. There were 8,000+ people there. The conversations reminded me of the 2004 Dennis Kucinich presidential campaign.
Various voices from the Bernie Sanders Rally, March 2, 2020
Cassette tapes recorded at the door of the House of Balls. Thank you to Allen Christian for loaning the tapes to me and to Mary Jane LaVigne for making the suggestion in the first place.
Rain Taxi – “Rain Taxi champions aesthetically adventurous literature through publications, events, and service to the literary community.”
826 MSP – “826 MSP’s mission is to empower underserved K–12 students to think creatively, write effectively, and succeed academically alongside a community of caring volunteers. “
Minneapolis Writers Guild – Find them on Facebook – “The Minneapolis Writers Guild is a group of a dozen or more active writers, all of whom are writing long-form fiction or short stories. We meet every Wednesday for two hours (6:30 – 8:30) in the Longfellow neighborhood of South Minneapolis. If you are interested in joining us or have questions, send a note to: gotuit5243@gmail.com.”
The Stolen Kingdom, Bethany Atazadeh – An Aladdin retelling for young adults.
MN Writes MN Reads – “For writers interested in easy-to-use, free resources for publishing and sharing ebooks, and for readers interested in discovering books by local writers.”
Ebooks Minnesota – Books available for free to Minnesotans from Minnesota publishers.
Minnesota Self-Published Books – “Enjoy books from local authors in the Indie Minnesota collection, as well as indie published titles selected as some of the best by Library Journal in the Indie Author Project Select collections.”
What do you really need to survive? Old bike tires? A copy of “Moby Dick”? A toaster? Someone to love? Can you live without the box of computer parts?
We begin with writer Michael Kleber-Diggs who contemplates whether he would ever be chosen for a survival team and end up at the doorstep of Mary Jane LaVigne and Allen Christian’s House of Balls, an art studio on the West Bank in Minneapolis. In between, there is a memorial service and everything you need to survive the apocalypse.
Michael Kleber-Diggs
We first heard Michael Kleber-Diggs at Story Club Minneapolis (find them on Facebook) at the Bryant Lake Bowl in Minneapolis. At the time I was working on an episode about “stuff” and thought the essay he presented – “Disaster Plan” – would fit nicely with what I was doing. So I was thrilled when Michael was able to join us for our storytelling event in February. If you would like an invitation to the next event, sign up for the newsletter.
On Halloween 2018 I was invited to a duel memorial service under the Tenth Avenue Bridge in Minneapolis. I did not know the deceased, but my friend who did asked me to come to see if I could record the service. It was an honor to be there and an honor to hear stories about the couple from people who knew them. Tape from this day is included in this episode, although that wasn’t the original plan. It just turned out that way.
What is something that you have that you should take to the Goodwill but for some reason can’t let it go?
The theme for our storytelling event this time around was “things you should let go but for some reason can’t.” Brian and I were sitting at the bar at Pizza Luce when the idea came to me. However it was Brian who jumped on it. He was right. Our “stuff” is a great source for stories that take us to some interesting places. In Patrick’s case, we end up in an old grain elevator.
Playing Bridge with the Roosevelts by Mary Jane LaVigne
Writer Mary Jane LaVigne reads “Playing Bridge with the Roosevelts”, which was published in the Chicago-based Slag Glass City that focuses on livable cities with a special interest in post-industrial greening of urban spaces “from rooftop gardens to elevated bike trails to vertical farms.” On the Slag site there’s a really nice picture of the House of Balls, Elmer and that big bear. Check it out!
Thank you…
Of course, thanks to everyone who came out to our storytelling event. Also, thanks to everyone who helped me with some recordings, Megumi, Michael, G.W., some cool people who attended the Design Lecture Series at the Walker Art Center and a very nice couple at Como Park. You all make doing this podcast a lot of fun!
A compilation of a podcast series Brian and I did for the Minnesota Fringe Festival, this episode looks at why we tell stories and how they can be elevated in a live performance.
You can’t win if you don’t enter.
The Minnesota Fringe Festival is a performing arts festival in Minneapolis and Saint Paul where you can see a crazy number of shows over eleven days in August. As an artist putting up a show, you’ll get to do your show five times with the support of Fringe staff, professional technicians and volunteers. For a chance to get spot in the 2019 Minnesota Fringe Festival, you’ll need to submit your application by February 14. If your number gets drawn on February 25, you’re in the festival! You can find more information on the Fringe website.
We would love to see you there.
We’re hosting a QuOTeD Social & Storytelling on Friday, February 22 at the Urban Forage Winery & Cider House in Minneapolis. More details are here. Or you can follow the event on Facebook.
Thank you
In the original FringeCast we talked to over 120 people and discovered different theater companies, businesses and blogs along the way. We were so grateful for the insights everyone shared. Here are some highlights:
These are stories of persistence: A single mother who is trying to get some help. Campaigners who don’t know when to quit. A fight against segregation. Cafeteria workers who are trying to get the attention of management. A student who won’t take no for an answer. A Senator who won’t say yes.
Thanks for Listening!
Let me know what you think about this! You are always welcome to contact me here.
transcript
This episode called for a transcript because some of the oral history tapes I used might be a challenge to hear in some spots, although I don’t think it will be needed in most cases. So why use these tapes in the first place? It’s the kind of stuff that wouldn’t likely make it on most radio shows. Nor would some of these interviews ever make it into an exhibit at the Minnesota History Center, for example. So I just like the idea of using some of these “scraps” in an audio format by mixing them with other voices. They are voices worth hearing.
A Single Mother’s Pivotal Moment
I met Faith on the 2004 presidential campaign for Dennis Kucinich. We spoke on my porch earlier this fall. Or was it late summer? Whatever it was, it was warm enough to sit on the porch. I grabbed the microphone when Faith started to tell me the story about the time she applied for a government program that was supposed to help young single mothers get on their feet. The powers that be told her that she had little hope of ever being successful and that this was the reason she wouldn’t qualify for a housing certificate that she desperately needed. Faith did more than be persistent. She got a handle on her view of things and that changed everything.
1964 – Do Something
The piece I share here was adapted from the one I submitted to the 2018 Sonic South competition held by the Southern Oral History Program at the University Of North Carolina. The idea was to use interviews from their archives to talk about persistence. The language used in these interviews sounded like persistence to me: “We kept going back…” They were done as part of the 50th Anniversary of the Student Nonviolent Coordinating Committee:
Interview with Dunn, Arlene Wilgoren by Karlyn Forner, April 16, 2010 U-0447, in the Southern Oral History Program Collection #4007, Southern Historical Collection, Wilson Library, University of North Carolina at Chapel Hill
Interview with Stoller, Nancy Elaine by David Cline, April 16, 2010 U-0456, in the Southern Oral History Program Collection #4007, Southern Historical Collection, Wilson Library, University of North Carolina at Chapel Hill
In addition to these, you might be interested in hearing other interviews about SNCC. Here’s a link to several of them:
There is also this article about the segregated cafeteria at the Arkansas State Capitol:
Kirk, John. A. (Summer 2013). Capitol Offenses: Desegregating the Seat of Arkansas Government, 1964-1965. The Arkansas Historical Quarterly, Vol. LXXXII, No. 2, pp. 95-119.
While the piece I did about persistence was a quick sketch, this article takes you back to a moment that sparked protests and goes into a lot more detail about the legal arguments around segregation. You can access it here:
Interview with Mary Smith by Valerie Quinney, April 10, 1974 E-0079, in the Southern Oral History Program Collection #4007, Southern Historical Collection, Wilson Library, University of North Carolina at Chapel Hill
Interview with Ashley Davis by Russ Rymer, April 12, 1974 E-0062, in the Southern Oral History Program Collection #4007, Southern Historical Collection, Wilson Library, University of North Carolina at Chapel Hill.
There are tons more interviews on this topic, which you can find here:
This story about persistence has all of the ingredients of a Hollywood movie with the possible exception of the ending. It’s hard not to be inspired by Elizabeth Brooks. She had questions. Why were checks being shortened? Why was it impossible to get on permanent payroll? It’s funny that it should be considered to be brave to insist on answers to basic questions or to ask for basic fairness. But it was and I suspect it still can be. Can you think of a question that you keep to yourself because you don’t want to rock the boat? That’s what I mean. But even as the cafeteria workers stood up for themselves, Mary Smith worried about speaking poorly of management. As a woman, I identified with this. Maybe the guilt and co-dependency is based in something other than gender, but that’s how it feels to me.
Senator Paul Wellstone
Paul Wellstone comes up in this episode in a few different ways and is at the center of some great stories about persistence. It starts with a memorial we saw for him and his wife Sheila at the University of North Carolina where Brian and I attended the Sonic South listening event in May 2018. The memorial is near Lenoir Hall, where the cafeteria workers’ strike takes place. I wondered if Wellstone was a student there at the time and if he was, did he support the strike? Then I found this book that answered my question:
The podcast Press Record was the first place I had ever heard of Silent Sam, a confederate monument that until recently occupied a prominent spot at the University of North Carolina-Chapel Hill. While the statue was still there when Brian and I attended the Sonic South event in May 2018, it was later removed by protesters. The fate of Silent Sam is yet to be determined.
Speaking of great history podcasts, also check out John Biewen’s Scene on Radio. Season 2, Seeing White, “deconstructs the meaning of whiteness”, while season 3, Men, looks at sexism/patriarchy/misogyny. Coincidentally, This American Life recently featured Biewen who talked about the history that was never mentioned when he was growing up in Minnesota.
Funky President Kucinich
The best I can tell, the original Funky President Kucinich was produced by Shannon Larratt. At least that’s where the website Muzabra points and I believe that’s where I first found it. In 2003, for another project I called Dissection: Bush Addresses the Nation I added Paul Wellstone’s voice to the work. I also added the voices of Geroge W. Bush – from the speech he did announcing his intentions to invade Iraq – as well as Winona LaDuke and Michael Moore, which came from a rally they held with Ralph Nader and Phil Donahue at the Target Center in Minneapolis.
Leave A Message Project (LAMP)
In 2003, supporters of Dennis Kucinich for President were invited to leave a message on my answering machine. I wanted to know how they would like Senator John Kerry to distinguish himself from George W. Bush. A slightly longer version of the piece was played for the platform committee at the 2004 National Democratic Convention.
Music & Sound
Scheming Weasel, Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
Showdown, Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Tenebrous Brothers Carnival, Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0
Faceoff, Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0
If you ask someone about their first car, they’ll probably tell you a story. Cars can tell a family history, teach us to deal with adversity and embed themselves into our fondest memories.
What was your first car?
Whenever I mentioned working on this episode, people often couldn’t resist telling me what their first car was. That’s when I know I have a decent question. I’m always looking for questions where an answer naturally comes to mind, as opposed to something that stumps people. And of course I’m looking for questions that spark stories and even tangents. Tangents are good. If you’re having the same response and want to tell me a story, please do!
Bringing people together to tell stories, as we did to gather some tape for this episode, is also useful. Because when you hear someone tell a story, it often triggers your own stories.
I was surprised that taxis came up as often as they did (you can also put that on your bingo card!). So this made me curious and I went down the Internet rabbit hole and found a gem of a story about a guy in Vermont who was on a quest to get his hands on an old New York Taxi. I was thrilled he said I could use it in this episode.
Thank You!
Militaire Electronic, Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
100 people answer the question, “Going back as far as you can go, what is your very earliest memory?” The ages associated with memories range from being a baby to 12 years old.
Some remember just flashes, while others have lots of details. These memories are parts of a story, like pieces of a puzzle. Colors come up, a yellow Rambler, for example. But none are mentioned more than purple. Moms and Dads. Bottles. Bikes. Grandparents. Houses. Fences. Yep. We seem to remember those too. There are toys and shoes and lots of other shared images that I’ll let you discover on your own.
I was charmed by the way people often laughed as they responded to this question. What’s so funny about using salt to clean a cast iron skillet? You also hear pride in some voices. Saving money on a dryer repair or fixing a bicycle is a real accomplishment.
This produced some interesting responses from 50 people or so. Most could answer the question. But there were definitely a few who were “readers” and wanted nothing to do with a video on how to boil eggs. Themes come through. Home and car repair and cooking are some examples. I was charmed by the way people often laughed as they responded.
What’s so funny about using salt to clean a cast iron skillet? You also hear pride in some voices. Saving money on a dryer repair or fixing a bicycle is a real accomplishment. I just love that! There’s also something revealing – I think – about someone who learns how to make pretzels just for the challenge of it. At a WordCamp conference where many of the recordings were made, a few people asked, “Why this question?” It’s an attempt to spark a conversation, as is the case with every question I ask for the QuOTeD podcast. In this case, I think it works. How else would I have known that this person I met at a tech conference has a passion for making giant bubbles? And let’s face it. Wouldn’t you rather talk about that than the weather?
Thank You
Ingram Oyugi mixed this episode. If you would like to polish up your podcast, cut an album or do any other type of audio project, Igram can help you. You can reach him by email: ioyugi@icloud.com and Twitter: @ingramoyugi.
Brian Harmon
WordCamp Minneapolis 2017 – The majority of the respondents were WordCamp attendees, speakers, organizers and other volunteers.
How this episode was produced
Can we turn a podcast episode around overnight? That was the challenge.
We collected tape at WordCamp – Minneapolis on a Friday morning into the afternoon with the goal of having a finished episode by the following Saturday afternoon. We got a head start by also collecting tape at a related speakers event Thursday evening.
Initially, I was concerned that there wouldn’t be enough time to gather enough tape to fill out a 58-minute episode. But that wasn’t so much of a problem. We briefly had three people on the job when Ingram, the audio engineer for this episode, jumped in to help. Most of the time there were two of us, Brian and me. While more help collecting tape certainly would have been good, the extra hands would have been best applied elsewhere. If I were to do this again, I’d put them on preparing clips for assembling. As for putting the pieces together, that’s relatively easy. Although, I still would have liked to have had more time to do this. I had ideas that I couldn’t execute because of the time limitations.
Nevertheless, we did it. The episode was ready for my Saturday afternoon presentation at WordCamp. As a result, I was completely sleep deprived, but we pulled it off. The plan was to publish the “YouTube” episode as part of my talk. People would have seen us recording interviews the day before. Some would actually be in the episode. To complete the circle Click! Click! Voila! We’ve just published our podcast! Cool, right?
This is the part where I am going to spare you the details of one technical glitch after another. Let’s just say that I was in a University classroom with state-of-the-art multimedia and between five of us, no one could make the sound work. Oh, and my talk was about podcasting.
The episode did fall a little short of the 58-minute mark, which would make it compatible with a KFAI Radio spot. More regrettable was that I ran out of time before I was able to include everyone who answered the question. For this reason, I’m thinking about making a less rushed version two of the show. I mean, I couldn’t believe how often “making slime” came up. Got to add that!
Update
On November 23, 2017 – Thanksgiving Day – the episode that was originally posted was replaced with a new one. It is the 58-minute version that will be used for an airing on KFAI radio on November 26.
Problems notwithstanding, I still count this experiment as a success. It can be useful to accomplish something with barely enough time. Now I wouldn’t want this to be a normal mode of doing things. But if you are flooded with resources, you won’t actually learn what it takes to do something because you have more than enough. But if you cut it close, you’ll get a better sense of what it really takes. And then you can make adjustments from there.
I am certain that this could not have been done without Brian’s help or without Ingram’s help and technical expertise. It was a joy to hand the files over to Ingram who leveled the audio (so that you can listen to the show without “riding the volume”) and fixed other issues to make things sound better. In the past, I have done this myself as an amateur. In this case, I know for certain there wouldn’t have been the time to do it.
We make up a story about how a painting of a fireplace ended up in our living room.
We had fun making this episode!
The week of Thanksgiving, we had some people over. After dinner we sat around the fireplace to chew on a question. How did this painting end up in our living room? We began by describing the painting. Then we introduced an artist, Helena Susan Adams. By the end of the evening, we pieced together the history of the painting, what had inspired it, where it had been and how did it ultimately come into my hands. Various characters popped up, of course. So I thought it would be fun to interview some of them and add their voices to the mix. I love the mix of reality and fiction. We start in one place and end in the other.
Who painted this picture of a fireplace that inspired our story?
Searching for a mystery artist
We are looking for the real artist who made the painting that inspired our story. You can help us find this person by sharing this picture on social media.
Can we recognize a city by its sound, sort of like recognizing the sound of a mother’s voice? This is one day in Chicago after the 2016 Podcast Movement conference.
Sometimes Chicago sounded like a casino. Other times a war zone with its relentless wailing of sirens and the whirring of helicopters that hovered almost within reach of the crowds at Millennium Park. Black Lives Matter is trying to get our attention.
Sometimes Chicago sounded like a carnival. Sometimes a church. Mixed in there were the street musicians playing for change, reminding me of the time I got lost in Brussels looking for the Sleep Well. This is not Saint Paul or Minneapolis. It makes me wonder if a person would be able to identify their hometown based on a recording, sort of like the sound of a mother’s voice.
People talk and I record them. This is not Chicago any more than the pictures I saw people taking of the Trump Tower would epitomize the city. It’s just a snapshot of a particular time and place. I wish I could have done more. I missed a lot, even the rumbling of the “L” from overhead. I’d like to go back.
Thank you…
Greg, our mailman and a fellow Red Sox fan.
Cory Mottaz, On Air Personality/Voice Talent.
Autumn Day Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
References
In the name of free association, coincidence and curiosity here are some show links.
Ross, Max. (2016, July 16). A family undergoes renovations at Walker Art Center. Star Tribune. Retrieved from http://www.startribune.com/ Taking pictures of people taking pictures of art takes Brian’s observation to a new level.
I’m uncomfortable with how comfortable we are with our growing preference for the company of robots over people. I wish everyone would read this book.
The TV screens that plastered the walls of the hotel restaurant flashed from one crime scene to another. Baton Rouge. Saint Paul and eventually Dallas.
In the meantime, a group of Black Hebrew Israelites were preaching…
After a brief encounter, I wondered who their audience was.
I do not have nor want a smart phone and other reasons I’m concerned about the disappearance of taxis…
When my neighbor showed me his Uber app and raved about how great the service is, it’s hard to argue with the genius of the idea that connects drivers to those needing a lift. Yet I’m not convinced that we have thought this through.
To Brian’s point about taking pictures of paintings: “Stella recalls showing his Black Paintings in Baltimore in 1973. Ever since, they’ve been rarely shown. ‘What people know about the Black Paintings is the idea,’ he said. ‘They know something from reproduction, but the reproductions of the paintings are brutal. They don’t really photograph.'”Sayej, Nadja (2015, August 1). Frank Stella: ‘If you get into art to make money, you’re deluded’. The Gurdian. Retrieved from https://www.theguardian.com
A great dinner experience on Michigan Avenue in Chicago
Bandera – We count on an exceptional meal at some point in our travels. The last time we were in Chicago it was a place in Chinatown. This time it was Bandera. Wow!
